James Benning
b. 1942
At the age of 33 Benning received an MFA from the University of Wisconsin where he had studied with David Bordwell. For the next four years he taught filmmaking at Northwestern University, University of Wisconsin, University of Oklahoma and the University of California, San Diego. Benning was hailed cinema's voice of the Midwest with his 1976/1978 films, 11 x 14 and One Way Boogie Woogie, made in Chicago and Milwaukee and the surrounding rural region. In 1980, Benning moved to lower Manhattan, where, with the aid of grants and funding from German Television, he continued to make films, most notably, American Dreams (1984) and Landscape Suicide (1986). Leaving New York after eight years, Benning moved west to teach film/video at California Institute of the Arts, and has taught there ever since. In the early 1990s Benning made a series of text/image films: North on Evers (1991), Deseret (1995), Four Corners (1997), and UTOPIA (1998), often invoking histories of how antagonistic cultural and economic agendas over land use shape landscapes and configure social environments. Benning has employed diverse methods, themes, structures, and aesthetics, investigating narrative and anti-nar…
Films