On Screen (1972)
By Lynda Benglis
"Benglis manipulates generations of video footage to confound our sense of time; she implies an infinite regression of time and space — Benglis making faces in front of a monitor of her making faces in front of a monitor of her... ad infinitum. The viewer retains a sense of the images sequentiality, although the sequence of creation is not revealed in a logical, orderly fashion, and is heavily obscured by the random layering and continual repetition of aural and visual components." — Carrie Przybilla,"Synopses of Videotapes", Lynda Benglis: Dual Natures (Atlanta: High Museum of Art, 1991) RESOURCES: Lynda Benglis in UbuWeb Sound
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