Thanatopsis (1962)
By Ed Emshwiller
USA, 5 min Directed by: Ed Emshwiller Starring: Becky Arnold, Mac Emshwiller Particularly after the dull George Dumpson's Place (1964), Ed Emshwiller's Thanatopsis (1962) took me completely by surprise. An intense soundtrack of industrial machinery and heartbeat - a chilling construction of sound editing that predates Lynch's Eraserhead (1977) - highlights Emshwiller's exploration of a brooding man's psychosis. The director himself described the film as follows: "The confrontation of a man and his torment. Juxtaposed against his external composure are images of a woman and lights in distortion, with tension heightened by the sounds of power saws and a heartbeat." More specifically, I was left with the impression that Emshwiller was drawing the portrait of a serial killer's mind (the title itself, derived from Greek, literally means "meditation on death"). The man (Mac Emshwiller) sits alone in a dark room, rational reality fluctuating around him. A mysterious woman (Becky Arnold), gleaming in white, dances around the room, but so hideously distorted is her form that she more closely resembles a demon, twisting and writhing in apparent agony, her pain placing evil thoughts in the…
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